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Drain You (Live at The Paramount, 1991) Guitar Tone Settings
Nirvana · 1990s · punk
live
Original Recording
Guitar
Fender Mustang (early 70s, competition blue, stock pickups, right-handed, lefty-strung)
Pickups
Stock Fender single-coil (Mustang, bridge position)
Amp
Mesa/Boogie Studio Preamp → Crown Power Base 2 Power Amp → Marshall 1960A 4x12 Cabinet
Pickup Position
Bridge pickup
Live performance, October 31, 1991, Paramount Theatre, Seattle. Kurt Cobain used a Mesa/Boogie Studio Preamp set clean and bright, into a Crown solid-state power amp and Marshall 4x12 cabs. Distortion and chorus effects were from pedals, not the amp. No evidence of amp reverb or other built-in effects.
Amp Settings
Mids5.5
Bass5
Gain7
Reverb0
Treble6.5
Presence5
Effects Chain
- Boss DS-1 Distortion · distortion
- Electro-Harmonix Small Clone Chorus · chorus
Fender Mustang → Boss DS-1 Distortion → Electro-Harmonix Small Clone Chorus → Mesa/Boogie Studio Preamp → Crown Power Base 2 Power Amp → Marshall 4x12 Cabinet
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Tone Character
- raspy, saturated distortion
- aggressive attack
- raw, biting edge
- pronounced upper-midrange
- tight, percussive rhythm
- slightly scooped low-mids
- jangly high end
- wall-of-sound power chords
- minimal note definition in chords
- gritty, compressed sustain
Notes & Caveats
- Exact amp knob settings for the live Paramount show are not documented; settings are estimated based on typical Mesa/Boogie Studio Preamp use for Cobain's live rig and genre/era.
- Pedal settings are not available; pedal models and usage are confirmed by multiple sources and audible in the recording.
- Presence control is estimated as neutral (5) due to lack of specific data.
- No evidence of amp reverb or delay; all effects are from pedals.
- Settings cross-referenced with genre and era conventions for accuracy. Kurt Cobain's 'Drain You' live tone at The Paramount is raw, aggressive, and mid-forward, typical of his late-80s/early-90s grunge sound using a cranked preamp (likely a Mesa/Boogie or similar) with moderate bass, boosted mids, and clear but not piercing treble; reverb is absent, reflecting the dry, in-your-face live mix.