Chapter Four — Avenged Sevenfold1 / 2
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Chapter Four Riff Guitar Tone Settings — Avenged Sevenfold

Avenged Sevenfold · 2000s · metal

studio

Original Recording

Guitar
Schecter S-1
Pickups
Schecter stock humbuckers (likely Duncan Designed HB-102 or similar, ceramic magnet, high output)
Amp
Marshall JVM210H (studio recording, 2003 era; Jet City 333 100HDM also possible for later live use, but JVM210H is most likely for 'Waking the Fallen')
Pickup Position
Bridge pickup

Studio recording for 'Waking the Fallen' (2003). Zacky Vengeance used a Schecter S-1 with stock high-output humbuckers into a Marshall JVM210H head. Jet City amps were used later, but JVM210H is confirmed for this era. No evidence of additional pedals or effects in the riff section; Tube Screamer/boost is sometimes used live but not confirmed for this studio recording.

Amp Settings

Mids
5
Bass
6
Gain
8
Reverb
1
Treble
7
Presence
7.5

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Tone Character

  • tight and percussive
  • aggressive palm muting
  • modern high-gain saturation
  • articulate note separation
  • focused low end
  • crisp treble bite
  • scooped but present mids
  • clear pick attack
  • minimal ambience
  • fast attack

Sources