Can't Stop — Red Hot Chili Peppers1 / 2
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Can't Stop Bass Tone Settings — Red Hot Chili Peppers

Red Hot Chili Peppers · 2000s · funk

studio

Original Recording

A reconstruction of the bass tone. Gear attributions and estimated settings are explained in the research notes below.

Bass
Fender Jazz Bass (stock orange, passive, 4-string)
Pickups
Jazz Bass single coils (neck + bridge)
Amp
Gallien-Krueger 2001RB (studio era), Acoustic 360/361 (possible studio use per Equipboard, but less likely for 'By the Way')
Pickup Position
Both pickups balanced

Studio recording, 2001-2002 (By the Way album sessions); live rig is similar but with more amp power

Amp Settings

Suggested starting points on a 0–10 scale, not documented studio knob positions. Match to your gear for controls specific to your setup.

Mids
6
Bass
5.5
Gain
5.5
Treble
6
Presence
6
compression
5.5

Effects Chain

Fender Jazz Bass → GK 2001RB (amp drive, compression) → mic'd cab + DI blend

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Tone Character

  • gritty upper mids
  • slightly overdriven attack
  • punchy low end
  • clanky top end
  • aggressive transient response
  • dynamic, not fuzzed out
  • clear note definition under drive
  • percussive slap/fingerstyle articulation
  • audible amp breakup in chorus/bridge

Playing Technique

  • 🎸fingerstyle

Sources

Tone Story / Why This Tone Works

studio

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