Bury Me With My Screams — Trivium1 / 2
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Bury Me With My Screams Riff Guitar Tone Settings — Trivium

Trivium · 2010s+ · metal

studio

Original Recording

Guitar
Epiphone Matt Heafy Les Paul Custom Origins 7-String
Pickups
Fishman Fluence Modern Humbuckers (Ceramic, active)
Amp
Peavey 6505+ Head
Pickup Position
Bridge pickup

Studio recording, 2024. Gear inferred from Trivium's recent studio and live rig for new material; no direct source for this exact song, but Matt Heafy and Corey Beaulieu are confirmed to use these guitars and amps for all recent Trivium heavy recordings. No evidence of alternate guitars or amps for this track.

Amp Settings

Mids
4.5
Bass
6
Gain
9
Reverb
1
Treble
7
Presence
6.5

Effects Chain

  • Noise Gate (model unknown) · noise_gate

Guitar → Noise Gate → Peavey 6505+ Head (minimal reverb)

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Tone Character

  • tight and percussive
  • scooped mids
  • aggressive palm muting
  • high-gain saturation
  • articulate low end
  • compressed and focused
  • slightly dark, blanket-over-cab feel
  • dense, layered guitars
  • modern metal clarity
  • minimal ambience

Notes & Caveats

  • ⚠️No direct source confirms exact amp or pedal settings for this specific song; settings estimated based on Trivium's typical studio setup for heavy riff sections in 2020s.
  • ⚠️No explicit mention of pedals or effects for this song in available sources; pedal/effect choices inferred from genre, era, and audible tone.
  • ⚠️No official rig rundown for 'Bury Me With My Screams'; guitar and amp inferred from Matt Heafy's and Corey Beaulieu's known gear for recent Trivium recordings.
  • ⚠️No evidence of time-based or modulation effects in the riff section; tone is dry and tight, likely only noise gate and amp distortion used.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Trivium's modern metal tone on 'Bury Me With My Screams' is extremely high gain, tight, and aggressive with a focused low end, slightly scooped but not hollow mids, bright but not harsh treble, and a clear, cutting presence. The production is very dry, with little to no reverb, matching genre and era conventions.

Sources