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Aftermath (Edit) — Dominic Fike1 / 2
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Aftermath (Edit) Riff Guitar Tone Settings — Dominic Fike

Dominic Fike · 2010s+ · rock

studio

Original Recording

Guitar
Epiphone Les Paul Special
Pickups
Epiphone P-90 single coils
Amp
Unknown (no studio amp confirmed for this recording)
Pickup Position
Bridge pickup

No direct studio documentation for 'Aftermath (Edit)' riff section. Gear inferred from Equipboard listings and live pedalboard photos from the same era (2018-2019). Pedals confirmed on pedalboard in live settings, but amp model for studio recording is not specified in any available source.

Amp Settings

Mids
6.5
Bass
5.5
Gain
4
Reverb
4.5
Treble
6.5
Presence
5

Effects Chain

  • Ibanez TS9 Tube Screamer · overdrive
  • Strymon El Capistan dTape Echo · delay
  • TC Electronic Hall of Fame 2 Mini Reverb · reverb

Epiphone Les Paul Special → Ibanez TS9 Tube Screamer → Strymon El Capistan dTape Echo → TC Electronic Hall of Fame 2 Mini Reverb → Amp

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Tone Character

  • slightly gritty edge-of-breakup
  • warm and rounded
  • clear and articulate
  • present but not harsh top end
  • touch-sensitive
  • open and dynamic
  • moderate sustain
  • subtle overdrive
  • natural amp-like breakup
  • no heavy compression

Notes & Caveats

  • ⚠️No direct studio amp or pickup selector documentation for 'Aftermath (Edit)' riff section; guitar and pedal info inferred from live pedalboard photos and Equipboard listings from the same era.
  • ⚠️Amp model and exact settings are estimated based on typical indie/alt-rock tones and visible pedalboard gear.
  • ⚠️Pedal settings are not specified in sources; pedal inclusion is based on confirmed pedalboard photos and typical usage.
  • ⚠️No evidence of effects loop or specific amp-based effects; all effects listed are pedal-based.
  • ⚠️If a different guitar or amp was used in the studio, this information is not available in current sources.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Dominic Fike's riff tone on 'Aftermath (Edit)' is clean with a touch of breakup, mid-forward, and slightly compressed, matching his indie/alt-pop style. The amp settings reflect a balanced, articulate sound with moderate bass, pronounced mids, and just enough reverb for subtle space, consistent with his typical Fender/clean amp preferences.

Sources