TonesMatch
We Praise You (Studio Version) — Brandon Lake1 / 2
Original RigYour Adaptation
GuitarDistortedSolo68% confidence

We Praise You (Studio Version) Guitar Tone Settings

Brandon Lake · 2010s+ · other

studio

Original Recording

Guitar
Fender American Professional II Telecaster (likely, based on genre/era and typical worship setups)
Pickups
V-Mod II Single-Coil Telecaster
Amp
Matchless Laurel Canyon (likely, based on forum mention and common worship studio choices)
Pickup Position
Bridge pickup

Studio recording, 2020s era. No direct evidence for exact guitar/amp model on this specific recording; inferred from genre, era, and forum mention of Matchless amps in worship context. No pedalboard or session photo for this song/solo found.

Amp Settings

Mids
6.5
Bass
6
Gain
4.5
Reverb
5
Treble
6.5
Presence
6

Effects Chain

  • Strymon Riverside Multistage Drive (likely, or similar overdrive) · overdrive
  • Strymon BigSky Reverb (or similar ambient reverb pedal) · reverb
  • Delay pedal (model unknown, likely digital or tape-style) · delay

Guitar → Strymon Riverside → Delay pedal → Strymon BigSky → Matchless Laurel Canyon amp

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Tone Character

  • ambient and spacious
  • clear and articulate
  • slightly overdriven edge
  • present midrange
  • chimey top end
  • smooth sustain
  • touch-sensitive
  • studio-polished clarity
  • dynamic response
  • open and modern

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, amp, or pedal models/settings for the studio solo on 'We Praise You (Studio Version)'.
  • ⚠️Gear and settings are estimated based on typical modern worship studio setups, forum mentions of Matchless amps, and genre/era conventions.
  • ⚠️No pedalboard or session photo for this specific recording or solo section found.
  • ⚠️Effects are inferred from audio and common worship pedal choices; no explicit source lists for this track.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo section in 'We Praise You' features a clear, singing lead with moderate sustain and crunch, typical of modern worship guitar tones that favor edge-of-breakup to light crunch. The EQ is balanced but slightly mid-forward for mix presence, with moderate bass and treble, and a touch of reverb for space without washing out the articulation.

Sources