The Messiah Will Come Again (Live 1990) Guitar Tone Settings
Gary Moore · 1990s · blues
live
Original Recording
Live performance, 1990. Gear confirmed for early 90s live shows. Gary Moore is seen using the 'Greeny' Les Paul and Marshall Plexi head, with Soldano SLO-100 also present on stage. Pedalboard includes multiple delay and reverb pedals. Settings are estimated based on era, genre, and available sources for live blues/rock solos.
Amp Settings
Effects Chain
- Ibanez TS10 Tube Screamer Classic · overdrive
- T-Rex Engineering Gristle Luxury Drive · boost
- Boss DM-2 Delay · delay
- Line 6 DL4 Delay Modeler · delay
- Electro-Harmonix Holy Grail Reverb · reverb
- Boss Digital Reverb RV-5 · reverb
- Boss FRV-1 '63 Fender Reverb · reverb
- Boss BF-2 Flanger · flanger
Guitar → Ibanez TS10 Tube Screamer → T-Rex Gristle Luxury Drive → Boss DM-2 Delay → Line 6 DL4 Delay → Electro-Harmonix Holy Grail Reverb → Boss RV-5 Digital Reverb → Boss FRV-1 '63 Fender Reverb → Boss BF-2 Flanger → Marshall 1959HW Plexi (sometimes blended with Soldano SLO-100)
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Tone Character
- singing sustain
- warm and smooth neck pickup tone
- touch-sensitive and dynamic
- vocal-like bends and phrasing
- fluid, legato lead lines
- rich harmonic overtones
- slightly compressed, expressive
- long, blooming notes
- responsive to picking dynamics
- mildly saturated, not high-gain