tears on his rings and chains — Dean Blunt & Elias Rønnenfelt1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

tears on his rings and chains Guitar Tone Settings

Dean Blunt & Elias Rønnenfelt · 2010s+ · other

studio

Original Recording

Guitar
Unknown solidbody electric (likely Fender or Hagström, but not confirmed for this track)
Pickups
Unknown single-coil or low-output humbucker (no confirmation for this recording)
Amp
Unknown (likely solid-state or clean tube amp, possibly Fender or Vox style, but not confirmed for this track)
Pickup Position
Neck pickup (estimated, for softer, ambient tone)

No direct studio or live rig information for this specific recording. No pedalboard or amp photos, interviews, or session notes for 'tears on his rings and chains' riff section. Gear is inferred from genre, era, and artist's general approach. Recording is studio, released 2023.

Amp Settings

Mids
6.5
Bass
6
Gain
4
Reverb
4.5
Treble
6.5
Presence
5.5

Effects Chain

  • Chorus pedal (model unknown) · chorus
  • Delay pedal (model unknown) · delay

Guitar → Chorus pedal → Delay pedal → Amp (with plate reverb)

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Tone Character

  • washed-out and ambient
  • dreamy and atmospheric
  • modest breakup, edge-of-clean
  • open, ringing chords
  • subtle modulation
  • stereo width
  • not tight or percussive
  • not high-gain
  • soft attack
  • spacey, reverb-heavy

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, pickups, amp, or pedal models for this specific recording.
  • ⚠️All settings and gear are estimated based on genre, era, and general artist approach.
  • ⚠️No pedalboard or amp photos, interviews, or session notes for this track.
  • ⚠️Effects inferred from audible characteristics and genre conventions; no explicit pedal models found.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The riff section has a gritty, mid-forward crunch typical of Dean Blunt's lo-fi, post-punk-influenced production, with a warm, present midrange, moderate bass, restrained treble, and subtle ambience. The gain sits at the edge of breakup, matching the genre's raw aesthetic and the artist’s preference for unpolished, expressive tones.

Sources