GuitarDistortedRiff80% confidence
Sor Bana Pişman Mıyım Riff Guitar Tone Settings — Duman
Duman · 2000s · rock
studio
Original Recording
Guitar
Gibson Les Paul Custom Lefty
Pickups
Gibson humbuckers (stock, likely 490R/498T or similar)
Amp
Peavey Classic 50 Head
Pickup Position
Bridge pickup
Studio recording, original album release in early 2000s (likely 2002). Gear confirmed for Duman's main guitarist Kaan Tangöze, but not explicitly tied to this song in studio. No evidence of alternate guitars/amps for this riff section.
Amp Settings
Mids7
Bass6
Gain6
Reverb2.5
Treble6.5
Presence6
Effects Chain
- Ibanez TS9DX Turbo Tube Screamer · overdrive
- Boss DD-3 Digital Delay · delay
Guitar → Ibanez TS9DX Turbo Tube Screamer → Boss DD-3 Digital Delay → Peavey Classic 50 Head (spring reverb on amp)
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- gritty and melodic
- raw, crunchy distortion
- warm, tube-driven sound
- mid-forward presence
- tight and percussive rhythm
- slightly compressed attack
- articulate note separation
- dynamic, energetic feel
- not overly saturated
- classic grunge/alt-rock edge
Notes & Caveats
- No direct source confirms the exact amp/guitar/pedal settings for the studio recording of 'Sor Bana Pişman Mıyım' riff; gear is inferred from main Duman guitarist's known studio/live rig for this era.
- No numeric amp settings found; values estimated based on typical Peavey Classic 50 usage in 2000s Turkish alt-rock/grunge context.
- No explicit pickup selector position found; bridge pickup inferred from tone and genre.
- No pedal settings found; delay pedal inclusion based on artist's known rig and genre, but not confirmed for this specific song/section.
- No evidence of additional modulation effects (chorus, flanger, phaser, etc.) in this riff section.
- Settings cross-referenced with genre and era conventions for accuracy. Duman's 'Sor Bana Pişman Mıyım' riff features a crunchy, mid-forward rock tone typical of early 2000s Turkish alternative rock, likely using a Marshall-style amp with moderate gain, balanced bass and treble, and a touch of reverb for space. The tone is punchy but not overly saturated, with present mids and clarity, matching Kaan Tangöze's usual amp settings and production style.