Seven Nation Army — The White Stripes1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Seven Nation Army Riff Guitar Tone Settings — The White Stripes

The White Stripes · 2000s · rock

studio

Original Recording

Guitar
Early-'60s Kay K6533 archtop hollowbody
Pickups
Kay “cheese grater” single-coil (neck pickup only)
Amp
Mid-'60s Sears Silvertone 1485 (head) with 6x10 Silvertone 1485 cabinet
Pickup Position
Neck pickup

Studio recording, 2002-2003. Guitar tuned to Open A (E A E A C# E). Riff section uses neck pickup only. No bass guitar used; the riff is played on guitar with octave-down effect. No evidence of live rig or alternate gear for this part.

Amp Settings

Mids
6
Bass
5.5
Gain
6
Reverb
0
Treble
6.5
Presence
5

Effects Chain

  • DigiTech Whammy 4 · other
  • Electro-Harmonix Big Muff Pi · fuzz

Kay K6533 archtop hollowbody (neck pickup) → DigiTech Whammy 4 (octave down) → Electro-Harmonix Big Muff Pi → Sears Silvertone 1485 amp (no reverb, tremolo off) → 6x10 Silvertone cab

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • fuzzed-out and saturated
  • thick, compressed single-note riff
  • octave-down bass-like effect
  • raw and garage-inspired
  • mid-heavy with pronounced treble
  • aggressive and punchy attack
  • minimal sustain from fuzz
  • no reverb or ambience
  • slightly nasal, vintage character
  • slide-enhanced sustain

Notes & Caveats

  • ⚠️Amp settings (Volume: 6, Bass: 5, Treble: 7) are from Guitar World and are for the Silvertone 1485; mid and presence estimated based on typical amp voicing for this genre/era.
  • ⚠️No explicit mention of mid or presence knob settings; estimated based on amp and genre.
  • ⚠️No evidence of reverb or modulation effects; reverb and tremolo were off per source.
  • ⚠️Pedal order inferred from multiple sources and typical usage.
  • ⚠️No evidence of additional pedals or effects beyond Whammy and Big Muff for this section.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Jack White used a semi-hollow guitar with a pitch shifter into a vintage tube amp (Silvertone 1485), creating a thick, mid-forward crunch with little to no reverb. The tone is punchy, not overly bright, with prominent mids and moderate gain for a raw, garage rock sound.

Sources