GuitarDistortedRiff
Blue Orchid Riff Guitar Tone Settings — The White Stripes
The White Stripes · 2000s · rock
studio
Original Recording
Guitar
1964 Airline Res-O-Glas
Pickups
Single-coil (stock Valco single coil, original to Airline Res-O-Glas)
Amp
Fender Twin Reverb (blackface, mid-1960s)
Pickup Position
Bridge pickup
Studio recording, 2004-2005 for 'Get Behind Me Satan'. Jack White confirmed use of the Electro-Harmonix POG as the core of the riff sound. No evidence of fuzz or Big Muff on this track; distortion comes from amp and POG. No evidence of live rig or alternate guitars for the studio riff section.
Amp Settings
Mids7
Bass5
Gain7.5
Reverb1
Treble7.5
Presence6.5
Effects Chain
- Electro-Harmonix POG (Polyphonic Octave Generator) · modulation
Airline Res-O-Glas → Electro-Harmonix POG → Fender Twin Reverb (minimal spring reverb)
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Tone Character
- massive, organ-like octave layering
- synthy, harmonically rich
- tight and percussive attack
- bright and cutting
- compressed and saturated
- dry, minimal reverb
- aggressive, mid-forward
- distinctly synthetic, not classic fuzz
- open, staccato rhythm
- huge, thick riff sound