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Rain — Rob Scallon1 / 2
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Rain Riff Guitar Tone Settings — Rob Scallon

Rob Scallon · 2010s+ · metal

studio

Original Recording

Guitar
Chapman ML7-RS Rob Scallon Signature 7-string
Pickups
Chapman Sonorous Zero humbuckers
Amp
Fender combo amp (exact model unknown, likely Hot Rod or Blues Junior based on Guitar Center session context)
Pickup Position
Bridge pickup

Studio recording, 2010s+ era. Gear used is inferred from Rob Scallon's signature model and Guitar World interview referencing the Guitar Center session. No explicit amp model or pedalboard for 'Rain' studio version found; signature guitar and Fender combo amp are most likely for this era and style.

Amp Settings

Mids
6
Bass
6
Gain
5.5
Reverb
3
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Chapman ML7-RS Rob Scallon Signature → Delay pedal (model unknown) → Fender combo amp (spring reverb on)

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Tone Character

  • tight and articulate
  • crisp attack
  • clear note separation
  • moderate gain
  • dynamic response
  • slightly compressed
  • ambient delay trails
  • modern and polished
  • percussive low end
  • sparkling high end

Notes & Caveats

  • ⚠️No explicit studio amp or pedalboard settings for 'Rain' found; guitar and amp inferred from signature model and Guitar Center session context.
  • ⚠️Delay is clearly audible in the riff section, but no specific pedal model is confirmed for the studio recording.
  • ⚠️Amp model is not specified in any source; Fender combo amp is inferred from Guitar World interview and typical Rob Scallon setups.
  • ⚠️All knob settings are estimated based on typical Fender combo amp settings for modern progressive metal/rock and the audible tone in the recording.
  • ⚠️Pickup choice is inferred from the bright, articulate, and percussive tone of the riff section.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Rob Scallon's 'Rain' riff section features a tight, articulate modern rock/metal crunch with moderate gain, balanced EQ (slightly mid-forward for clarity), and subtle ambience. His typical use of Mesa/Boogie or similar amps and genre conventions suggest these settings for a punchy, present, but not overly scooped tone.

Sources