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One Way (Live) — Hillsong Worship1 / 2
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One Way (Live) Riff Guitar Tone Settings — Hillsong Worship

Hillsong Worship · 2000s · rock

live

Original Recording

Guitar
TMG Scarlett Nigel Hendroff Signature
Pickups
Lollar Imperial humbuckers
Amp
Quilter Tone Block 200
Pickup Position
Bridge pickup

Live performance, as seen in Nigel Hendroff's rig rundowns and pedalboard photos from the Hillsong Worship 'No Other Name' tour era (mid-2010s). No direct evidence for the exact amp settings on 'One Way (Live)', but gear is confirmed for this era and live context.

Amp Settings

Mids
6.5
Bass
6
Gain
5
Reverb
3.5
Treble
7
Presence
6

Effects Chain

  • Selah Effects Scarlett Love OD V2 · overdrive
  • Strymon Mobius · modulation
  • Delay pedal (model unknown, likely Strymon Timeline or Boss DD-20) · delay
  • Dunlop DVP3 Volume (X) Pedal · other

TMG Scarlett → Selah Scarlett Love OD → Strymon Mobius → Delay pedal (likely Strymon Timeline or Boss DD-20) → Dunlop DVP3 Volume → Quilter Tone Block 200 (with digital reverb)

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Tone Character

  • bright and articulate
  • slightly overdriven edge-of-breakup
  • chimey highs
  • tight and focused low end
  • clear note separation
  • ambient spaciousness
  • dynamic and responsive
  • present mids for chord clarity
  • modulation shimmer
  • not heavily saturated

Notes & Caveats

  • ⚠️No direct source lists exact amp knob settings for 'One Way (Live)' riff; settings estimated based on typical Quilter Tone Block 200 use for this genre/era and Nigel Hendroff's known preferences.
  • ⚠️Pedalboard and guitar confirmed for this era and live context, but not for this exact performance; however, TMG Scarlett and Selah Scarlett Love OD are strongly associated with Nigel's live rig.
  • ⚠️Delay and modulation are clearly audible in the live recording, but exact pedal settings are not published.
  • ⚠️Pickup choice inferred from typical rhythm tone and live video footage showing bridge pickup use.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The 'One Way (Live)' riff features a mid-forward, crunchy worship rock tone typical of Hillsong's early 2000s era, likely using a Vox AC30 or similar with moderate gain, balanced EQ, and subtle reverb for clarity and punch in a live mix.

Sources