GuitarCleanSolo80% confidence
On my mind Solo Guitar Tone Settings — Rebelution
Rebelution · 2010s+ · other
studio
Original Recording
Guitar
Fender Stratocaster (exact year/model unknown, but consistent with artist's typical studio use in this era)
Pickups
Single-coil pickups (Fender stock or similar, exact model unknown)
Amp
Fender '65 Twin Reverb Reissue
Pickup Position
Neck pickup
Studio recording, album version (2016). No evidence of alternate guitars or amps used for the solo section. Amp confirmed in use by Eric Rachmany in studio context via Equipboard. No explicit evidence for pedals or alternate gear for this specific solo.
Amp Settings
Mids6
Bass6
Gain4
Reverb4
Treble6.5
Presence5.5
Effects Chain
- Delay pedal (model unknown) · delay
Fender Stratocaster → Delay pedal (model unknown) → Fender '65 Twin Reverb (spring reverb on)
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- clean and glassy
- warm and rounded highs
- articulate single-note phrasing
- dynamic and touch-sensitive
- slight amp breakup at peaks
- clear note separation
- spring reverb ambience
- melodic sustain
- smooth attack
- subtle compression
Notes & Caveats
- No direct source confirms the exact guitar or pickup position for the solo; inferred from artist's typical studio use and genre conventions.
- No explicit pedal or effect model is confirmed for this solo; delay and reverb are inferred as audible in the recording.
- Amp settings are estimated based on typical Fender Twin Reverb studio use for reggae/rock in the 2010s.
- No evidence of effects loop or additional amp-based effects beyond spring reverb.
- If more precise pedalboard or studio notes become available, update accordingly.
- Settings cross-referenced with genre and era conventions for accuracy. The solo tone on 'On My Mind' is warm, slightly overdriven, and mid-forward, typical of Rebelution's reggae/rock style with a bluesy edge. The gain is set just past edge-of-breakup for sustain, mids are pushed for clarity, and reverb is moderate for space without washing out the note definition.