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Jamie All Over — Mayday Parade1 / 2
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Jamie All Over Riff Guitar Tone Settings — Mayday Parade

Mayday Parade · 2000s · rock

studio

Original Recording

Guitar
Gibson Les Paul Goldtop
Pickups
Humbucker (likely Gibson PAF-style, stock on Goldtop)
Amp
New Vintage Amplifiers H&B 50
Pickup Position
Bridge pickup

Studio recording, 2007. Gear inferred from Jason Lancaster's Equipboard listing for the era; no direct studio documentation for this specific song. No explicit pedalboard or amp settings found for the recording session.

Amp Settings

Mids
6
Bass
6
Gain
7.5
Reverb
2.5
Treble
7
Presence
6

Effects Chain

  • Distortion pedal (model unknown) · distortion

Guitar → Distortion pedal (model unknown) → New Vintage H&B 50 amp (with spring reverb)

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Tone Character

  • tight and punchy
  • crisp attack
  • aggressive palm muting
  • full-bodied midrange
  • slightly scooped EQ
  • percussive chugging
  • clear note separation
  • saturated but not fuzzy
  • cutting through the mix
  • modern pop-punk drive

Notes & Caveats

  • ⚠️No direct studio documentation or official rig rundown for 'Jamie All Over' riff section found; guitar and amp inferred from Equipboard and era.
  • ⚠️No explicit pedal or amp settings found; amp settings estimated based on typical pop-punk tones and New Vintage H&B 50 amp characteristics.
  • ⚠️No pedalboard photos or effect model confirmations for this recording; effects inferred from genre conventions and audible cues.
  • ⚠️If more specific studio information becomes available, settings and effects should be updated.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Mayday Parade's 'Jamie All Over' riff features a saturated, modern pop-punk tone with tight low end, balanced mids, and enough treble/presence to cut through the mix, typical of mid-2000s Orange/Mesa/Peavey amps. The gain is high but not extreme, with minimal reverb for clarity.

Sources