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I'm Full Riff Guitar Tone Settings — Wallows
Wallows · 2010s+ · rock
studio
Original Recording
Guitar
Rickenbacker 360 (black, 1996)
Pickups
Rickenbacker Hi-Gain single coils
Amp
Fender Hot Rod DeVille 212
Pickup Position
Bridge pickup
Studio recording, 2022 (Tell Me That It's Over era); both Braeden Lemasters and Dylan Minnette used Hot Rod DeVille 212s for core tones. Pedalboard details from interviews and pedalboard photos from this album cycle. No explicit evidence of alternate guitars or amps for this song's riff section.
Amp Settings
Mids6.5
Bass6
Gain4.5
Reverb3
Treble7
Presence6
Effects Chain
- R3D Kentaur · overdrive
- Chorus pedal (model unknown) · chorus
Rickenbacker 360 → R3D Kentaur → Chorus pedal → Fender Hot Rod DeVille 212 (spring reverb)
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Tone Character
- slightly gritty edge-of-breakup
- punchy and articulate attack
- clear note separation
- jangly top end
- tight low end
- present mids
- modulated shimmer
- indie rock clarity
- not heavily saturated
- dynamic response to picking
Notes & Caveats
- No explicit amp knob settings for 'I'm Full' found; settings estimated based on typical Fender Hot Rod DeVille usage in indie/alt rock and era.
- Pedalboard details are from interviews and photos from the same album cycle, not directly tied to this specific song, but Kentaur (Klon clone) is described as 'almost always on' for Braeden.
- Chorus effect is audible in the riff section but no explicit pedal model is confirmed for this song; inferred from artist's known use of chorus and modulation pedals.
- Pickup position inferred from typical indie rhythm tones and Rickenbacker usage; not explicitly stated for this song.
- No evidence of effects loop use or amp-based chorus/delay; reverb is likely from amp.
- Settings cross-referenced with genre and era conventions for accuracy. The riff in 'I'm Full' features a crunchy, articulate indie rock tone typical of Wallows, with moderate gain for clarity, balanced EQ leaning slightly mid-forward, and subtle reverb for space. These settings reflect their usual Fender/Marshall-inspired amp choices and production style from the late 2010s indie/alt-rock scene.