Gasoline — Seether1 / 2
Original RigYour Adaptation
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Gasoline Riff Guitar Tone Settings — Seether

Seether · 2000s · rock

studio

Original Recording

Guitar
PRS SE Singlecut (early 2000s, likely stock pickups)
Pickups
PRS-designed humbuckers (stock, ceramic magnets, high output)
Amp
Mesa/Boogie Dual Rectifier (early 2000s, likely Rev. 2 or 3 head)
Pickup Position
Bridge pickup

Studio recording for 'Disclaimer' (2002); no evidence of live/tour gear being used on this recording. Guitar and amp inferred from era, band interviews, and genre. No evidence of pedalboard effects on the original studio riff section.

Amp Settings

Mids
5
Bass
6
Gain
8
Reverb
1.5
Treble
6.5
Presence
6

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Tone Character

  • tight and percussive
  • aggressive palm muting
  • saturated high-gain rhythm
  • slightly scooped mids
  • focused low end
  • clear pick attack
  • minimal ambience
  • modern post-grunge crunch
  • articulate and defined
  • controlled bass response

Notes & Caveats

  • ⚠️No direct studio documentation of exact guitar/amp/pedal settings for 'Gasoline' riff section; gear and settings estimated based on era, genre, and typical Seether studio setups.
  • ⚠️Pedals listed on Equipboard are from later live rigs and not confirmed for the original 'Disclaimer' studio recording.
  • ⚠️No evidence of chorus, delay, or other modulation/time-based effects on the riff section in the studio version; all effects inferred from audio and genre conventions.
  • ⚠️Amp model inferred from genre, era, and band interviews; PRS SE Singlecut inferred from period-correct live photos and interviews, but not explicitly confirmed for studio recording.
  • ⚠️Settings estimated based on typical Mesa/Boogie Dual Rectifier usage for early 2000s post-grunge/nu-metal rhythm tones.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Seether's 'Gasoline' riff features a thick, saturated modern post-grunge tone with tight low end, slightly scooped mids, and aggressive but not harsh highs. Shaun Morgan typically used Mesa/Boogie Dual Rectifiers in this era, dialed for high gain and punch, with minimal reverb for a dry, in-your-face sound.

Sources