Gasoline Solo Guitar Tone Settings — Seether
Seether · 2000s · rock
studio
Original Recording
Studio recording, 2002-2003 for 'Disclaimer' album. Gear inferred from era, interviews, and genre. No direct studio photo, but Mesa Dual Rectifier and PRS SE Singlecut are widely cited as Shaun Morgan's main studio rig for this period. No evidence of alternate guitars or amps for the solo section. Boss DD-7 Delay is confirmed for live use, but the original studio recording predates this pedal; a digital delay (model unknown) is clearly audible in the solo.
Amp Settings
Effects Chain
- Digital Delay pedal (model unknown) · delay
PRS SE Singlecut → Digital Delay pedal (model unknown) → Mesa/Boogie Dual Rectifier → Mesa 2x12 Rectifier cab (amp spring reverb on low)
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- tight and saturated
- singing sustain
- articulate attack
- slightly compressed
- thick, harmonically rich distortion
- clear single-note definition
- delay repeats on solo lines
- slightly scooped mids
- aggressive pick attack
- medium-fast phrasing
Notes & Caveats
- No direct studio photo or interview confirms exact pedal or amp settings for the 'Gasoline' solo; values are estimated based on the genre, era, and typical Mesa Dual Rectifier usage.
- Boss DD-7 Delay is confirmed for live use, but the original studio recording predates this pedal; delay is clearly audible in the solo, so a digital delay (model unknown) is included with high confidence.
- PRS SE Singlecut and Mesa Dual Rectifier are widely cited as Shaun Morgan's main rig for this era, but no explicit mention for the 'Gasoline' solo session.
- All amp and pedal settings are estimated based on typical modern rock/nu-metal tones and the sound of the recording.
- Settings cross-referenced with genre and era conventions for accuracy. Seether's 'Gasoline' solo features a saturated, modern hard rock lead tone with tight low end, balanced mids, and enough treble/presence for clarity without harshness. The gain is high but not extreme, and the production is dry with minimal reverb, consistent with early 2000s post-grunge/alt-metal conventions and Shaun Morgan's typical amp settings (often using Mesa/Boogie or Peavey amps).