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Gözlerimin Etrafındaki Çizgiler — Şebnem Ferah1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Gözlerimin Etrafındaki Çizgiler Guitar Tone Settings

Şebnem Ferah · 2000s · rock

studio

Original Recording

Guitar
Gibson Les Paul Custom w/ Bigsby
Pickups
Humbuckers (likely Gibson stock, model unspecified)
Amp
Marshall JCM2000 TSL 100 Triple Super Lead 3-Channel 100-Watt Guitar Amp Head
Pickup Position
Bridge pickup

Studio recording, circa early 2000s. Gear confirmed for artist and era, but not explicitly tied to this exact solo recording. No explicit pedalboard or amp settings for this song's solo found in sources.

Amp Settings

Mids
7
Bass
6
Gain
6.5
Reverb
3.5
Treble
6.5
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Gibson Les Paul Custom w/ Bigsby → Delay pedal (model unknown) → Marshall JCM2000 TSL 100 (spring reverb on)

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Tone Character

  • singing sustain
  • smooth and warm
  • articulate single-note clarity
  • moderate compression
  • midrange-forward
  • slightly bright top end
  • dynamic response
  • not overly saturated
  • classic rock lead character
  • clear note separation

Notes & Caveats

  • ⚠️No explicit studio pedalboard or amp knob settings for this specific solo found in sources; amp and guitar inferred from artist's typical studio gear for this era.
  • ⚠️Pedals and effects for this solo are not confirmed in sources; delay and reverb are included based on clear audibility in the solo section.
  • ⚠️Pickup position inferred based on typical Les Paul solo tones and tone characteristics.
  • ⚠️Settings are estimated based on Marshall JCM2000 typical rock lead tones from the early 2000s.
  • ⚠️No evidence of modulation (chorus, flanger, phaser) or wah in the solo section.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Şebnem Ferah's solo tones in this era favor a saturated, singing lead with classic rock/hard rock crunch, forward mids for vocal presence, and moderate bass/treble for clarity without harshness. The production is modern but not overly processed, with subtle reverb for space and a balanced presence to cut through the mix.

Sources