GuitarDistortedRiff80% confidence
For What It's Worth (feat. Travis Moseley) Guitar Tone Settings
Downswing & Colorblind · 2010s+ · metal
studio
Original Recording
Guitar
Unknown (exact model not found for this recording)
Pickups
Likely humbuckers (modern metalcore/post-hardcore genre typical, but not confirmed for this recording)
Amp
Unknown (exact model not found for this recording)
Pickup Position
Bridge pickup
No direct sources confirm the exact guitar or amp model used on the studio recording of 'For What It's Worth (feat. Travis Moseley)' by Downswing & Colorblind. No pedalboard or rig rundown found for this session. All gear details are estimated based on genre conventions and audible tone. Studio recording, released 2020s.
Amp Settings
Mids4.5
Bass6
Gain8.5
Reverb1.5
Treble7
Presence6
Effects Chain
- Distortion pedal (model unknown) · distortion
- Noise gate (model unknown) · noise_gate
Guitar → Distortion pedal (model unknown) → Noise gate (model unknown) → High-gain amp
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Tone Character
- tight and percussive
- aggressive palm muting
- high-gain saturation
- scooped mids
- chunky low end
- crisp, defined highs
- articulate attack
- compressed and focused
- minimal ambience
- studio-polished heaviness
Notes & Caveats
- No direct sources confirm the exact guitar, amp, or pedal models/settings for this recording.
- All gear and settings are estimated based on genre (modern metalcore/post-hardcore), era (2020s), and audible tone characteristics.
- No pedalboard photos, interviews, or official rig rundowns found for Downswing & Colorblind for this song.
- No evidence of time-based or modulation effects in the riff section; only high-gain rhythm tone is clearly audible.
- If more specific information becomes available (e.g., artist interview, studio notes), update this entry.
- Settings cross-referenced with genre and era conventions for accuracy. The riff section features a modern metalcore/djent tone: high gain saturation, tight low end, slightly scooped but not hollow mids, clear but not harsh top end, and a dry, punchy mix with minimal reverb. These settings reflect both genre conventions and the production style typical for Downswing & Colorblind.