Eternal Turn of the Wheel (Вічний Оберт Колеса) — Drudkh1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Eternal Turn of the Wheel (Вічний Оберт Колеса) Guitar Tone Settings

Drudkh · 2010s+ · metal

studio

Original Recording

Guitar
Jackson Randy Rhoads V
Pickups
Jackson stock humbuckers (exact model unknown, likely high-output ceramic humbuckers)
Amp
Unknown high-gain amp (exact model not confirmed for this recording)
Pickup Position
Bridge pickup

Studio recording, 2012. Guitar confirmed via Equipboard for Drudkh's studio work. No explicit amp or pedal info for this specific song/recording. Settings and effects inferred from genre, era, and audio.

Amp Settings

Mids
5
Bass
6
Gain
8.5
Reverb
1
Treble
7
Presence
6

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Tone Character

  • dense and atmospheric
  • fuzzy and overdriven
  • sharp and cutting
  • melodic yet aggressive
  • wall of sound texture
  • haunting and immersive
  • mid-scooped but not hollow
  • slightly dark with clarity
  • relentless and intense
  • sustained, swirling chords

Notes & Caveats

  • ⚠️No explicit amp model or pedal/effects info found for this specific recording; guitar model confirmed via Equipboard.
  • ⚠️Amp settings estimated based on typical black metal tones, Jackson V + high-gain amp, and the audio character of the riff section.
  • ⚠️No pedalboard or effect chain photos/interviews for this album/session; effects inferred from audio and genre conventions.
  • ⚠️Pickup type and selector position inferred from typical use for this genre and guitar model.
  • ⚠️Reverb is present but subtle, likely from amp or studio; no evidence of delay, chorus, flanger, or other modulation in the riff section.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Drudkh's guitar tone on 'Eternal Turn of the Wheel' is a classic Eastern European black metal sound: high gain and saturated, but not fizzy, with a tight low end, slightly scooped mids, and moderate treble/presence for clarity. The production is dry and raw, with little to no reverb, matching both genre and era conventions.

Sources