Estações (Ao Vivo) — Dunamis Music, Matheus Gonçalves & Mateus Brito1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Estações (Ao Vivo) Guitar Tone Settings

Dunamis Music, Matheus Gonçalves & Mateus Brito · 2010s+ · other

live

Original Recording

Guitar
Unknown (likely modern Strat-style or Tele-style electric guitar, model not confirmed for this recording)
Pickups
Unknown (likely single-coil or noiseless single-coil, model not confirmed)
Amp
Unknown (likely modern clean amp or amp modeler, model not confirmed for this recording)
Pickup Position
Neck pickup (estimated, for smooth solo tone)

No direct source confirms the exact guitar, pickups, or amp used for the solo in 'Estações (Ao Vivo)'. No official rig rundown or pedalboard photo for this specific live recording. All gear details are estimated based on genre, era, and typical Brazilian gospel/modern worship setups. Recording is live, released in 2023.

Amp Settings

Mids
6.5
Bass
6
Gain
4.5
Reverb
5
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay
  • Overdrive pedal (model unknown) · overdrive

Guitar → Overdrive pedal → Delay pedal → Clean amp with digital reverb

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Tone Character

  • singing and expressive
  • smooth sustain
  • ambient and spacious
  • crystal-clear highs
  • lush reverb tail
  • slight overdrive
  • touch-sensitive
  • modern worship solo sound
  • clear note separation
  • dynamic response

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, pickups, amp, or pedal models used for the solo in 'Estações (Ao Vivo)'.
  • ⚠️No official rig rundown, pedalboard photo, or interview for this specific live recording.
  • ⚠️All gear and settings are estimated based on genre (modern worship/gospel), era (2020s), and typical Brazilian worship setups.
  • ⚠️Pedal and effect choices are inferred from the audible characteristics of the solo and common practices in the genre.
  • ⚠️If more specific information becomes available (e.g., artist interview, live pedalboard photo), this data should be updated.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo tone is warm, dynamic, and slightly overdriven, typical of modern worship guitarists using edge-of-breakup/crunch settings with mid-forward EQ for clarity in the mix. Bass and treble are balanced for fullness and articulation, presence is set to add air without harshness, and reverb is moderate for ambient space without washing out the notes.

Sources