crying moon — fripSide1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

crying moon Solo Guitar Tone Settings — fripSide

fripSide · 2010s+ · rock

studio

Original Recording

Guitar
Unknown (likely modern superstrat or similar, model not confirmed for this recording)
Pickups
Unknown (likely HSS or HH configuration, model not confirmed for this recording)
Amp
Unknown (no amp model confirmed for this recording)
Pickup Position
Bridge pickup (estimated, as is typical for modern J-pop/rock solos)

No direct source confirms the exact guitar, pickups, or amp used for the 'crying moon' solo. fripSide's Equipboard lists only synthesizer gear, not guitar gear. No studio or live rig rundown for this song or era was found. All gear is unconfirmed and estimated based on genre and era.

Amp Settings

Mids
6
Bass
6
Gain
7
Reverb
4
Treble
7
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay
  • Chorus pedal (model unknown) · chorus

Guitar → Delay pedal → Chorus pedal → Amp (with digital reverb)

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Tone Character

  • singing sustain
  • smooth and polished
  • bright and articulate
  • tight low end
  • processed modern solo tone
  • clear note definition
  • melodic and expressive
  • digital sheen
  • medium-high output
  • anthemic lead sound

Notes & Caveats

  • ⚠️No direct sources confirm the guitar, pickups, amp, or pedal models used on 'crying moon' solo.
  • ⚠️All gear and settings are estimated based on genre (J-pop/rock), era (2020s), and typical production style.
  • ⚠️No pedalboard, amp, or studio notes for this song or solo found in Equipboard or other sources.
  • ⚠️No evidence of live performance rig for this song; all context is studio/album.
  • ⚠️Effects are inferred from audio and genre conventions; no explicit source confirmation.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo section features a saturated, singing lead with clear articulation and moderate sustain, typical of fripSide's polished J-rock/anisong production. The tone is high-gain but not overly compressed, with balanced mids and slightly boosted treble/presence for clarity, and a touch of reverb for space without washing out the detail.

Sources