GuitarDistortedSolo
Anastasia (feat. Myles Kennedy & the Conspirators) Guitar Tone Settings
Slash · 2010s+ · rock
studio
Original Recording
Guitar
Kris Derrig Les Paul Standard replica
Pickups
Seymour Duncan Alnico II Pro humbuckers
Amp
Marshall Silver Jubilee 2555 100-watt head into 4x12 cabinet with Celestion Vintage 30s
Pickup Position
Bridge pickup
Studio recording, 2011-2012 (Apocalyptic Love album sessions). Slash used his Kris Derrig Les Paul replica for most solos. The amp was a brand-new Marshall Silver Jubilee 100-watt head, not his touring rig. No evidence of pedal-based distortion; amp provided main gain. Effects inferred from audio and Slash's typical studio setup for this era.
Amp Settings
Mids7.5
Bass6.5
Gain7.5
Reverb2
Treble7
Presence6.5
Effects Chain
- Dunlop Cry Baby Wah (model unknown) · wah
- Delay pedal (model unknown, likely Boss DD-3 or MXR Carbon Copy) · delay
Kris Derrig Les Paul → Dunlop Cry Baby Wah → Delay pedal → Marshall Silver Jubilee 2555 head → 4x12 cab (Celestion Vintage 30s)
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Tone Character
- singing sustain
- fluid and expressive legato
- tight, articulate attack
- rich harmonic overtones
- cutting lead presence
- smooth, violin-like phrasing
- aggressive pick attack
- high output, saturated tone
- clear note separation
- dynamic response to picking