Sunburn — Muse1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Sunburn Solo Guitar Tone Settings — Muse

Muse · 1990s · rock

studio

Original Recording

Guitar
Yamaha Pacifica 120S (modified with DiMarzio pickups, Roland GK2 pickup)
Pickups
DiMarzio humbucker (exact model unspecified, high output, likely bridge position)
Amp
Marshall JCM2000 DSL100
Pickup Position
Bridge pickup

Studio recording, 1999 era (Showbiz album). Guitar was modified with DiMarzio humbuckers and Roland GK2 for VG8 processing. Main amp for distorted tones was the Marshall JCM2000 DSL100. Effects (delay, pitch shifting) were primarily achieved via Roland VG8 multi-effects processor and Line 6 DL4. No evidence of fuzz or wah on this solo. Pickup likely bridge for solo cut and clarity. No evidence of live/touring gear used in studio.

Amp Settings

Mids
7
Bass
6
Gain
7.5
Reverb
2.5
Treble
7
Presence
6.5

Effects Chain

  • Roland VG8 · modulation
  • Line 6 DL4 Delay Modeler · delay

Yamaha Pacifica 120S (bridge pickup) → Roland VG8 (multi-effects, delay) → Line 6 DL4 (delay) → Marshall JCM2000 DSL100 (with spring reverb)

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Tone Character

  • singing sustain
  • tight, focused lead tone
  • clear note separation
  • articulate attack
  • rich harmonic overtones
  • slight delay ambience
  • cutting upper mids
  • compressed, saturated sound
  • modern British distortion
  • notably present in the mix

Notes & Caveats

  • ⚠️No direct numeric amp settings found; values estimated based on Marshall JCM2000 typical usage for Muse's Showbiz era and genre.
  • ⚠️Exact DiMarzio pickup model not specified in sources; inferred as high-output humbucker based on era and tone.
  • ⚠️Roland VG8 was used for some effects processing; some delay may be from VG8 or Line 6 DL4.
  • ⚠️No evidence of fuzz, wah, or chorus/flanger on the solo; delay is clearly audible.
  • ⚠️Pickup selector not explicitly stated, but bridge pickup is most likely for solo clarity.
  • ⚠️Settings are for studio recording, not live.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Matt Bellamy's 'Sunburn' solo tone is saturated and singing, typical of late-90s British rock with a pronounced midrange for cut and sustain, moderate bass to avoid muddiness, and enough treble/presence for clarity. The gain is high but not extreme, and reverb is subtle, matching the production style of Muse's debut era.

Sources