All Nightmare Long — Metallica1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

All Nightmare Long Riff Guitar Tone Settings — Metallica

Metallica · 2000s · metal

studio

Original Recording

Guitar
ESP MX-250 (James Hetfield's main guitar for Death Magnetic era, used in studio recording)
Pickups
EMG 81 (bridge), EMG 60 (neck) active humbuckers
Amp
Mesa/Boogie Mark IIC+ (primary rhythm amp for Death Magnetic studio sessions)
Pickup Position
Bridge pickup (EMG 81)

Studio recording, 2007-2008. Rhythm guitar for riff section. Guitar tuned to Drop D. Mesa/Boogie Mark IIC+ was the main amp for Hetfield's rhythm tracks on Death Magnetic. No evidence of live/touring rig or alternate amps/pedals for this specific recording.

Amp Settings

Mids
4
Bass
6
Gain
8
Reverb
0
Treble
7.5
Presence
6.5

Effects Chain

  • Noise gate (model unknown) · noise_gate

ESP MX-250 (EMG 81 bridge) → Noise gate → Mesa/Boogie Mark IIC+ (no reverb, no effects loop)

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Tone Character

  • tight and percussive
  • scooped mids
  • aggressive palm muting
  • high-gain saturation
  • chunky low end
  • razor-sharp pick attack
  • dry, minimal ambience
  • modern metal clarity
  • compressed rhythm sound
  • articulate and fast attack

Notes & Caveats

  • ⚠️No direct source lists exact amp knob settings for 'All Nightmare Long' studio recording; settings estimated based on typical Mesa/Boogie Mark IIC+ usage for Metallica's Death Magnetic rhythm tone.
  • ⚠️No evidence of pedals or effects used for the riff section; Metallica's rhythm tone on this album is known for being dry and tight with little to no reverb or modulation.
  • ⚠️Guitar and amp model confirmed for Death Magnetic era, but no photo/video evidence of pedalboard for this specific song's studio session.
  • ⚠️Settings are inferred from genre, era, and known Metallica studio practices, not from explicit source quotes.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. All Nightmare Long features a tight, modern Metallica rhythm tone with high gain, scooped mids, tight bass, and biting treble/presence, typical of their Mesa/Boogie Mark series amps in the Death Magnetic era. The tone is dry with no audible reverb, matching metal production trends.

Sources