Here Is No Why (Live In Los Angeles, 2/4/96) Guitar Tone Settings
The Smashing Pumpkins · 1990s · rock
live
Original Recording
Live performance, Los Angeles, 2/4/96. Billy Corgan used the Hamer Standard with DiMarzio Super Distortion pickups for most heavy rhythm work in this era. The amp setup was a Marshall JMP-1 preamp into a Mesa/Boogie Strategy 500 power amp, into Marshall 4x12 cabinets. Effects were mostly pedal-based, with the Op-Amp Big Muff for distortion and Electric Mistress for modulation. No evidence of digital processors in this era. Settings estimated based on era and typical live rig, as no direct photo or interview from this specific show is available.
Amp Settings
Effects Chain
- Electro-Harmonix Op-Amp Big Muff Pi · fuzz
- Electro-Harmonix Electric Mistress Flanger/Filter Matrix · flanger
Hamer Standard → Electro-Harmonix Op-Amp Big Muff Pi → Electro-Harmonix Electric Mistress → Marshall JMP-1 Preamp → Mesa/Boogie Strategy 500 Poweramp → Marshall 4x12 Cabinet
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Tone Character
- wall of fuzzed-out sustain
- thick, saturated rhythm tone
- aggressive, compressed attack
- mid-forward punch
- tight, percussive palm muting
- singing sustain on power chords
- rich, harmonically complex fuzz
- slightly scooped but present mids
- crisp, articulate pick attack
- dense, layered distortion