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Yeah Boy and Doll Face Guitar Tone Settings — Pierce the Veil
Pierce the Veil · 2000s · rock
studio
Original Recording
Guitar
Fender Blacktop Series Jaguar HH
Pickups
Dual humbuckers (Fender Blacktop Jaguar stock humbuckers)
Amp
Unknown (no direct source for studio amp on this song/album)
Pickup Position
Bridge pickup
No direct studio documentation for the exact amp used on the recording. The Blacktop Jaguar HH is confirmed as Tony Perry's main guitar for this era, but amp and pedalboard info is mostly from live/touring rigs. Album recorded in 2007 for 'A Flair for the Dramatic'.
Amp Settings
Mids5.5
Bass5.5
Gain7.5
Reverb2
Treble7
Presence6
Effects Chain
- MXR EVH Phase 90 · phaser
- Boss NS-2 Noise Suppressor · noise_gate
- Ernie Ball 6166 Mono Volume Pedal · other
Guitar → Boss NS-2 Noise Suppressor → MXR EVH Phase 90 (possible, not always on) → Ernie Ball Volume Pedal → High-gain amp (model unknown, likely Marshall or Mesa style) with light spring reverb
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Tone Character
- tight and percussive
- articulate high-gain rhythm
- aggressive bridge pickup attack
- full-bodied distortion
- cutting midrange
- slightly scooped but present
- defined low end
- modern post-hardcore clarity
- controlled feedback
- punchy and dynamic
Notes & Caveats
- No direct source confirms the exact amp or pedal models used on the studio recording of 'Yeah Boy and Doll Face'.
- Pedal and amp info is inferred from Tony Perry's live/touring rigs and typical genre conventions for 2000s post-hardcore.
- Settings are estimated based on genre, era, and typical Marshall/Mesa high-gain amp settings for this style.
- No studio photos or interviews confirm the exact signal chain for this specific song.
- No explicit pickup selector position is stated, but bridge humbucker is highly likely for the riff's tone.
- Settings cross-referenced with genre and era conventions for accuracy. Pierce the Veil's 'Yeah Boy and Doll Face' riff section features a saturated, modern post-hardcore tone with tight low end, balanced mids, and enough treble/presence for clarity. Their typical Mesa/Boogie Dual Rectifier or similar high-gain amp settings favor a focused, articulate distortion with minimal reverb for punch and mix clarity.