GuitarDistortedSolo80% confidence
Gifted Every Strength Solo Guitar Tone Settings — Loathe
Loathe · 2010s+ · metal
studio
Original Recording
Guitar
Gibson SG Standard
Pickups
Humbucker (likely stock Gibson SG pickups, exact model unknown)
Amp
Marshall JCM800 2203
Pickup Position
Bridge pickup
Studio recording, 2024. Guitar model inferred from forum discussion referencing the SG's 'spank and bite' on this track. Amp model confirmed via Equipboard and live footage, but no explicit studio confirmation. Pedalboard details from Premier Guitar Rig Rundown, but not all pedals are confirmed in use for this solo.
Amp Settings
Mids5.5
Bass6
Gain8
Reverb1.5
Treble7
Presence6.5
Effects Chain
- DigiTech Whammy Ricochet · modulation
Guitar → DigiTech Whammy Ricochet → Marshall JCM800 2203 (with spring reverb)
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- chunky and saturated
- octave-shifted lead lines
- tight low end
- cutting midrange
- aggressive attack
- singing sustain
- articulate and modern
- slightly fuzzy texture
- dynamic and expressive
- high-gain clarity
Notes & Caveats
- No direct studio documentation of pedal/amp settings for this specific solo; amp and guitar inferred from live and forum sources.
- Pedalboard from Premier Guitar Rig Rundown includes many pedals, but only the DigiTech Whammy Ricochet is specifically mentioned as crucial and likely used for octave effects in the solo.
- Settings are estimated based on typical Marshall JCM800 usage in modern metal and the described tone characteristics.
- Pickup choice inferred from typical solo tone and forum comments about the SG's 'spank and bite'.
- No explicit mention of delay, chorus, or reverb pedals for this solo; only amp reverb is assumed at a low setting.
- Settings cross-referenced with genre and era conventions for accuracy. Loathe's solo tone in 'Gifted Every Strength' is modern, saturated, and tight, typical of their high-gain, djent-influenced style. The low end is controlled, mids are slightly scooped for clarity, and the top end is present but not harsh, with minimal reverb for a dry, focused lead sound.