Butai ni tatte — YOASOBI1 / 2
Original RigYour Adaptation
GuitarDistortedSolo80% confidence

Butai ni tatte Solo Guitar Tone Settings — YOASOBI

YOASOBI · 2010s+ · other

studio

Original Recording

Guitar
Unknown (YOASOBI guitarist for studio recording, model not specified for 'Butai ni tatte' solo)
Pickups
Unknown (likely standard single-coil or humbucker, model not specified)
Amp
Unknown (no amp model specified for this recording)
Pickup Position
Bridge pickup (estimated, for lead solo clarity)

No direct source confirms the exact guitar or amp model used for the solo section of 'Butai ni tatte' by YOASOBI. Equipboard lists some general gear for band members, but nothing is tied to this specific song or solo. Studio recording, 2021-2022 era.

Amp Settings

Mids
6.5
Bass
5.5
Gain
5.5
Reverb
4.5
Treble
6.5
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay
  • Reverb pedal (model unknown) · reverb

Guitar → Delay pedal → Reverb pedal → Amp

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Tone Character

  • smooth and melodic
  • singing sustain
  • clear and articulate
  • moderate gain with edge-of-breakup feel
  • ambient spaciousness
  • slightly compressed
  • modern and polished
  • present but not harsh treble
  • controlled dynamics
  • defined note separation

Notes & Caveats

  • ⚠️No sources provide specific guitar, amp, or pedal models/settings for the solo in 'Butai ni tatte'.
  • ⚠️All gear and settings are estimated based on genre (J-pop/rock), era (2020s), and typical production for modern Japanese pop solos.
  • ⚠️No evidence found for exact pickup position or knob settings; estimated for typical solo clarity.
  • ⚠️No pedal or amp model is confirmed for this recording.
  • ⚠️Effects are inferred from audio characteristics; no direct source lists them for this song.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo in 'Butai ni tatte' features a modern, slightly overdriven lead tone with clear articulation and forward mids typical of J-pop/rock. The gain is set for a smooth crunch, with balanced bass and treble, slightly boosted mids for presence in the mix, moderate presence for clarity, and subtle reverb for ambience.

Sources