GuitarDistortedSolo80% confidence
ZITTI E BUONI (Eurovision Version) Guitar Tone Settings
Måneskin · 2010s+ · rock
studio
Original Recording
Guitar
Fender Jazzmaster
Pickups
Fender Jazzmaster single-coil pickups
Amp
Marshall Lead 100 Mosfet (3210) with Marshall 1960A 4x12 Cabinet
Pickup Position
Bridge pickup
Gear confirmed for Eurovision 2021 studio/live performance. Pedalboard photo from the era shows specific pedals. No evidence of alternate guitars or amps for the solo section. Year: 2021.
Amp Settings
Mids7
Bass6
Gain7
Reverb2
Treble7
Presence6.5
Effects Chain
- Mad Professor Fire Red Fuzz · fuzz
- Dunlop 535Q Cry Baby Multi-Wah · wah
- Electro-Harmonix Deluxe Memory Man · delay
Fender Jazzmaster → Mad Professor Fire Red Fuzz → Dunlop 535Q Cry Baby Wah → Electro-Harmonix Deluxe Memory Man → Marshall Lead 100 Mosfet → Marshall 1960A 4x12 Cabinet
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
Adapt to MY Gear →7-day free trial · Cancel anytime.
Tone Character
- aggressive and biting
- fuzz-like sustain
- clear note separation
- wah-filtered peaks
- tight and focused midrange
- slightly compressed attack
- dynamic pick response
- present upper mids
- articulate single-note lines
- moderate amp gain
Notes & Caveats
- No direct numeric amp knob settings found; values estimated based on typical Marshall Lead 100 Mosfet settings for modern rock and visible pedal choices.
- Pedalboard photo confirms presence of fuzz, wah, and delay pedals, but exact knob settings not documented.
- No explicit pickup selector position stated, but bridge pickup is standard for this solo tone and matches the audio.
- No evidence of amp-based effects (reverb, delay) being used; all effects appear to be from pedals.
- Settings are for Eurovision 2021 studio/live version, not later tours or alternate performances.
- Settings cross-referenced with genre and era conventions for accuracy. Thomas Raggi of Måneskin typically uses a crunchy, saturated British-voiced tone (often Marshall-style), with forward mids and enough gain for sustain and aggression but not modern metal levels. The solo in 'ZITTI E BUONI' is punchy, mid-forward, and present, with tight lows and minimal reverb, matching classic hard rock settings with a modern edge.