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Wind of Change — Scorpions1 / 2
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GuitarDistortedSolo80% confidence

Wind of Change Solo Guitar Tone Settings — Scorpions

Scorpions · 1990s · rock

studio

Original Recording

Guitar
Gibson Rudolf Schenker Flying V
Pickups
Humbucker (likely Dimarzio Michael Schenker Signature or Seymour Duncan JB, bridge position)
Amp
Marshall JCM800 2205 50-Watt Amplifier Head
Pickup Position
Bridge pickup

Studio recording, 1990. Matthias Jabs played the solo. Gear inferred from era-correct studio use and Equipboard documentation. No direct studio photo, but multiple sources confirm this setup for the album period.

Amp Settings

Mids
6.5
Bass
6
Gain
7
Reverb
3.5
Treble
7
Presence
6.5

Effects Chain

  • Boss DD-3 Digital Delay · delay

Guitar → Boss DD-3 Digital Delay → Marshall JCM800 2205 (with spring reverb)

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Tone Character

  • singing sustain
  • smooth and melodic
  • articulate and expressive
  • moderate compression
  • clear note separation
  • rich and full-bodied
  • anthemic lead sound
  • slightly scooped mids but present
  • delay adds spatial depth
  • not overly saturated

Notes & Caveats

  • ⚠️No direct studio photo or interview for this exact solo, but multiple sources confirm Matthias Jabs used a Gibson Flying V with bridge humbucker and Marshall JCM800 for the 'Crazy World' album era.
  • ⚠️Amp settings are estimated based on typical Marshall JCM800 usage for melodic rock solos in the early 1990s and genre conventions.
  • ⚠️Delay effect is confirmed by Equipboard and is clearly audible in the solo, but exact pedal settings are not documented.
  • ⚠️Chorus and reverb are not clearly audible in the solo section and are not included.
  • ⚠️Pickup model is inferred from artist's known gear for this era; exact pickup for this track is not explicitly confirmed.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Matthias Jabs' solo tone on 'Wind of Change' is classic late-80s/early-90s melodic hard rock: saturated but articulate, with a singing sustain, moderate mids, and clear highs. He likely used a Marshall or similar amp with moderate bass, slightly boosted mids, and a touch of reverb for space, matching Scorpions' production style of the era.

Sources