GuitarDistortedRiff80% confidence
VIKING Riff Guitar Tone Settings — Slaughter to Prevail
Slaughter to Prevail · 2010s+ · metal
studio
Original Recording
Guitar
ESP Sammy Duet Custom ESP RS320
Pickups
EMG active humbuckers (likely EMG 81/85 set, as typical for this model and genre, but not explicitly confirmed for this session)
Amp
Peavey 6505 Guitar Amp Head into Marshall 1960A 4x12 Cabinet
Pickup Position
Bridge pickup
Gear confirmed via video evidence for 'Viking' riff playthrough (studio context, 2021+). No evidence of alternate guitars/amps for this section. Studio recording, not live.
Amp Settings
Mids4.5
Bass6
Gain9
Reverb0
Treble6.5
Presence6.5
Effects Chain
- Noise gate (model unknown) · noise_gate
ESP Sammy Duet Custom ESP RS320 → Noise gate → Peavey 6505 → Marshall 1960A 4x12
Tone Matcher
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Tone Character
- tight and percussive
- scooped mids
- aggressive palm muting
- high-gain saturation
- articulate low-end
- modern metal clarity
- compressed and focused
- minimal ambience
- fast note tracking
- razor-sharp attack
Notes & Caveats
- No explicit amp knob settings for 'Viking' found; settings estimated based on typical Peavey 6505 usage in modern deathcore/metal and visible gear in official playthrough.
- Pedal use for 'Viking' riff not explicitly confirmed; Boss MT-2 Metal Zone and Way Huge Swollen Pickle are confirmed for other tracks but not for this song/section. No evidence of time-based or modulation effects in riff section.
- Pickups assumed to be EMG actives based on guitar model and genre, but not visually confirmed for this exact recording.
- No evidence of reverb or delay used on rhythm/riff section; dry, tight tone is characteristic for this genre and audible in the recording.
- Settings cross-referenced with genre and era conventions for accuracy. Slaughter to Prevail's 'VIKING' features an extremely tight, modern deathcore tone: very high gain for saturation and aggression, slightly scooped but not hollow mids, tight bass to avoid muddiness, and boosted treble/presence for clarity and attack. The production is very dry and punchy, so reverb is essentially absent.