Until You Die Out — Fear, and Loathing in Las Vegas1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Until You Die Out Guitar Tone Settings

Fear, and Loathing in Las Vegas · 2010s+ · metal

studio

Original Recording

Guitar
Mayones Regius MM 4Ever TT
Pickups
Bare Knuckle pickups (exact model unspecified, likely humbuckers)
Amp
Engl Savage 120
Pickup Position
Bridge pickup

Studio recording, 2015 era. Guitarist Taiki is confirmed to use the Mayones Regius MM 4Ever TT with Bare Knuckle pickups and Engl Savage 120 for the 'Feeling of Unity' album, which includes 'Until You Die Out'. No evidence of live rig or alternate gear for the studio recording of this song's riff section.

Amp Settings

Mids
5
Bass
6
Gain
8.5
Reverb
1.5
Treble
7
Presence
6.5

Effects Chain

  • Noise gate (model unknown) · noise_gate

Mayones Regius MM 4Ever TT → Noise gate → Engl Savage 120 (minimal digital reverb) → Engl E412SG-BK 4x12 cabinet

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Tone Character

  • tight and percussive
  • aggressive attack
  • articulate note separation
  • modern metal clarity
  • scooped but present mids
  • high-gain saturation
  • fast transient response
  • clear pick attack
  • minimal ambient reverb
  • punchy low end

Notes & Caveats

  • ⚠️No direct source gives exact amp knob settings for 'Until You Die Out'; settings estimated based on typical Engl Savage 120 usage in modern metal and genre/era conventions.
  • ⚠️No explicit pickup selector position found; bridge pickup inferred from tone and genre.
  • ⚠️No pedal or effect model is confirmed for this specific recording; effects list is based on audible characteristics and typical rig for this artist/era.
  • ⚠️No evidence of live rig or alternate amp/guitar for the studio recording of this song's riff section.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Fear, and Loathing in Las Vegas use a modern metalcore/djent tone with very high gain, tight low end, slightly scooped but not hollow mids, and bright, cutting treble/presence for clarity in dense mixes. Reverb is minimal to keep the riff section punchy and articulate.

Sources