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Unholy Confessions — Avenged Sevenfold1 / 2
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Unholy Confessions Solo Guitar Tone Settings — Avenged Sevenfold

Avenged Sevenfold · 2000s · metal

studio

Original Recording

Guitar
Schecter Synyster Gates Custom-S
Pickups
Seymour Duncan Invader (bridge), Sustainiac (neck)
Amp
Bogner Uberschall 120-Watt Tube Guitar Amp Head
Pickup Position
Bridge pickup

Studio recording for 'Unholy Confessions' (2003, Waking the Fallen). Synyster Gates is confirmed to use the Schecter Synyster Gates Custom-S with Seymour Duncan Invader bridge pickup and Bogner Uberschall amp for this era. No evidence of live/touring substitutions for the solo section on the studio recording.

Amp Settings

Mids
5
Bass
6
Gain
8
Reverb
1
Treble
7
Presence
6.5

Effects Chain

  • MXR MC401 Boost/Line Driver · boost

Schecter Synyster Gates Custom-S (bridge pickup) → (possible MXR MC401 Boost) → Bogner Uberschall 120-Watt Tube Guitar Amp Head (minimal amp reverb)

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Tone Character

  • tight and saturated
  • singing sustain
  • articulate and cutting
  • aggressive attack
  • slightly scooped mids
  • full-bodied low end
  • clear note separation
  • minimal ambience
  • fast response
  • crisp treble for solo clarity

Notes & Caveats

  • ⚠️No direct numeric amp settings for 'Unholy Confessions' solo found in sources; settings estimated based on typical Bogner Uberschall usage in early 2000s metal and Synyster Gates' genre/era.
  • ⚠️No explicit pedal or effects model confirmed for the solo section in studio recording; boost pedal (MXR MC401) is listed in artist's general rig but not specifically tied to this song's studio solo.
  • ⚠️Delay, reverb, or modulation effects are not clearly audible in the solo section; tone is dry and direct with minimal ambience.
  • ⚠️Pickup choice inferred from genre and typical Synyster Gates solo approach (bridge humbucker for lead).
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo tone on 'Unholy Confessions' is tight, saturated, and articulate, typical of early 2000s metalcore. Synyster Gates used high-gain amps (like Peavey 5150/6505), with mids slightly scooped but not as much as 80s thrash, tight bass, and clear treble/presence for note definition. The production is dry with little to no reverb.

Sources