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Tuesday's Gone — Lynyrd Skynyrd1 / 2
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Tuesday's Gone Riff Guitar Tone Settings — Lynyrd Skynyrd

Lynyrd Skynyrd · 1970s · rock

studio

Original Recording

Guitar
1964 Fender Stratocaster
Pickups
Fender single-coil pickups
Amp
Fender Twin Reverb (Blackface, mid-1960s)
Pickup Position
Neck pickup

Studio recording, 1973. Gear inferred from historical interviews, era, and genre; no direct source confirms exact serials, but Strat into Twin Reverb is widely cited for Skynyrd's clean/riff tones on 'Pronounced'.

Amp Settings

Mids
6
Bass
6
Gain
3.5
Reverb
5
Treble
6.5
Presence
5.5

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Tone Character

  • warm and glassy
  • clear, bell-like cleans
  • lush, ambient reverb
  • smooth, sustained chords
  • open, airy highs
  • rounded low end
  • slightly compressed attack
  • dynamic, touch-sensitive response
  • no audible overdrive or crunch
  • classic Southern rock clean rhythm

Notes & Caveats

  • ⚠️No direct source gives exact amp or pedal settings for the studio riff section; all values estimated based on era, genre, and typical Skynyrd studio setups.
  • ⚠️No source confirms the exact pedal or effects model used; reverb is clearly audible but likely from the amp.
  • ⚠️No evidence of pedals or effects other than amp spring reverb in the riff section; no delay, chorus, or modulation audible.
  • ⚠️Guitar and amp models inferred from historical interviews and typical Skynyrd gear for the 'Pronounced' album.
  • ⚠️Settings are estimated based on common Fender Twin Reverb usage for clean Strat tones in 1970s Southern rock.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Tuesday's Gone features a warm, edge-of-breakup Southern rock tone typical of early '70s Skynyrd, likely using a cranked Fender or Marshall with moderate bass and mids, restrained treble, and moderate spring reverb for ambience. The tone is dynamic, not overly distorted, and sits in a classic blues-rock/roots context.

Sources