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Tin Pan Alley (aka Roughest Place In Town) — Stevie Ray Vaughan & Double Trouble1 / 2
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Tin Pan Alley (aka Roughest Place In Town) Guitar Tone Settings

Stevie Ray Vaughan & Double Trouble · 1980s · blues

studio

Original Recording

Guitar
1962 Fender Stratocaster 'Number One'
Pickups
Fender single-coil pickups (vintage 1960s spec, staggered pole pieces, overwound, stock wiring)
Amp
1964 Fender Vibroverb (2x15" combo, blackface, Cesar Diaz modded rectifier, Philips 6L6 tubes)
Pickup Position
Neck pickup

Studio recording, 1983 (recorded for 'Couldn't Stand the Weather'). Main riff section. Vibroverb was SRV's primary studio amp for this era; no evidence of other amps or guitars for this track's rhythm/riff. No evidence of pedals used for the riff section; Tube Screamer was typically reserved for solos. No modulation or time-based pedals audible or cited for this section.

Amp Settings

Mids
7
Bass
7
Gain
5
Reverb
3
Treble
6
Presence
5.5

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Tone Character

  • warm and smooth
  • touch-sensitive
  • edge-of-breakup crunch
  • fat, glassy Stratocaster sound
  • huge dynamic range
  • clear note separation
  • minimal reverb
  • rich sustain from amp
  • dynamic response to picking
  • no pedal coloration

Notes & Caveats

  • ⚠️No direct amp knob settings for 'Tin Pan Alley' riff found; settings estimated based on typical SRV Vibroverb studio setup for this era and genre.
  • ⚠️No evidence of pedals or effects used on the riff section; Tube Screamer and wah were reserved for solos or Hendrix covers, not this track's rhythm.
  • ⚠️All sources agree on Vibroverb and Stratocaster for this recording, but no direct photo or engineer quote for this exact session.
  • ⚠️Presence and reverb settings are estimated based on typical blackface Vibroverb usage and the dry, present tone on the recording.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. SRV's 'Tin Pan Alley' tone is warm, fat, and dynamic, sitting at the edge of breakup with strong lows and mids, rolled-back treble for smoothness, and moderate spring reverb for space. These settings reflect his typical Vibroverb/Super Reverb setup and 1983 studio production.

Sources