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The Devil In I Riff Guitar Tone Settings — Slipknot

Slipknot · 2010s+ · metal

studio

Original Recording

Guitar
Fender Jim Root Telecaster (2014 studio recording), Ibanez MTM1 (Mick Thomson, 2014 studio recording)
Pickups
EMG 81 (bridge, active humbucker, Jim Root); Seymour Duncan Blackouts (bridge, active humbucker, Mick Thomson)
Amp
Orange Rockerverb 100 MKII (Jim Root), Rivera KR7 (Mick Thomson), Marshall JCM800 (blended, Mick Thomson)
Pickup Position
Bridge pickup

Studio recording, 2014. Both Jim Root and Mick Thomson tracked rhythm riffs. Jim Root used his signature Fender Telecaster with EMG 81 in the bridge into an Orange Rockerverb 100 MKII. Mick Thomson used his Ibanez MTM1 with Seymour Duncan Blackouts into a Rivera KR7 and also blended a Marshall JCM800 boosted with a Maxon OD820. No evidence of additional pedals for the main riff except noise gate. No time-based or modulation effects on the main riff.

Amp Settings

Mids
4.5
Bass
6
Gain
9
Reverb
0
Treble
7
Presence
6.5

Effects Chain

  • Maxon OD820 Overdrive Pro · overdrive
  • Boss NS-2 Noise Suppressor · noise_gate

Guitar (EMG 81 or Blackouts bridge) → Maxon OD820 (boost, Mick only) → Boss NS-2 → Orange Rockerverb 100 MKII (Jim) or Rivera KR7/Marshall JCM800 (Mick, with effects loop off, no amp reverb)

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Tone Character

  • tight and percussive
  • scooped mids
  • aggressive palm muting
  • high-gain saturation
  • articulate low end
  • compressed and focused
  • modern metal clarity
  • minimal ambience
  • crushing rhythm attack
  • razor-sharp definition

Sources

Tone Story / Why This Tone Works

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