The Day That Never Comes — Metallica1 / 2
Original RigYour Adaptation
GuitarDistortedRiff

The Day That Never Comes Riff Guitar Tone Settings — Metallica

Metallica · 2000s · metal

studio

Original Recording

Guitar
ESP Flying V Korina (Kirk Hammett, rhythm section, studio recording, 2008)
Pickups
EMG 81/60 active humbuckers
Amp
Mesa/Boogie Mark IIC+ and Marshall Superlead (Jose Arredondo modded), blended (studio recording, 2008)
Pickup Position
Bridge pickup

Studio recording for Death Magnetic (2008). Rhythm section likely played by James Hetfield on ESP Explorer with EMG 81/60, but Kirk Hammett also used ESP Flying V Korina for rhythm live and possibly in studio. Amps are confirmed by producer Greg Fidelman to be a blend of Mesa/Boogie Mark IIC+ and Jose-modded Marshall Superlead. Ibanez TS808 Tube Screamer (Keeley Mod+) used as boost. No evidence of time-based or modulation effects in the riff section. Settings estimated based on typical Metallica Death Magnetic era studio setup.

Amp Settings

Mids
4
Bass
6
Gain
7.5
Reverb
1
Treble
7
Presence
6.5

Effects Chain

  • Ibanez TS808 Tube Screamer (Keeley Mod+) · overdrive

Guitar → Ibanez TS808 Tube Screamer (Keeley Mod+) → Mesa/Boogie Mark IIC+ and Marshall Superlead (Jose modded, blended) → minimal amp reverb

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Tone Character

  • tight and percussive
  • scooped mids
  • aggressive palm muting
  • high-gain saturation
  • articulate pick attack
  • compressed and focused
  • chunky low end
  • modern metal clarity
  • minimal ambience
  • slightly bright top end

Sources