The Abolition of Man — Thrice1 / 2
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The Abolition of Man Riff Guitar Tone Settings — Thrice

Thrice · 2000s · metal

studio

Original Recording

Guitar
1972 Gibson Les Paul Standard
Pickups
Seymour Duncan SH-4 JB (bridge humbucker)
Amp
Vox AC30 (vintage, likely 1970s-80s, no built-in effects except optional reverb on some models)
Pickup Position
Bridge pickup

Studio recording, 2003. Guitarist Teppei Teranishi is confirmed to use this Les Paul with a Seymour Duncan JB in the bridge for heavy riff sections on 'The Artist in the Ambulance' era. Amp is a Vox AC30, as confirmed by multiple interviews and gear rundowns. No evidence of amp reverb or other built-in effects used for this track. All effects are pedal-based. Settings estimated based on genre, amp, and era due to lack of explicit numbers.

Amp Settings

Mids
6
Bass
5.5
Gain
8
Reverb
0
Treble
7
Presence
6

Effects Chain

  • JHS Double Barrel · overdrive
  • JHS Pulp 'N' Peel · compression

Guitar → JHS Pulp 'N' Peel (compression) → JHS Double Barrel (overdrive/distortion) → Vox AC30

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Tone Character

  • tight and percussive
  • aggressive palm muting
  • saturated high-gain distortion
  • articulate note separation
  • chunky low end
  • focused upper mids
  • minimal ambience
  • dense and compressed
  • modern post-hardcore attack
  • no audible modulation or delay

Notes & Caveats

  • ⚠️No explicit numeric amp settings for gain, bass, mid, treble, presence, or reverb found in sources; values estimated based on typical Vox AC30 usage in heavy post-hardcore/metal context.
  • ⚠️No explicit pedal settings for distortion/overdrive found; pedal choice inferred from era, genre, and artist's known board.
  • ⚠️No evidence of modulation, delay, or reverb effects in the main riff section; all effects listed are based on pedalboard evidence and critical listening.
  • ⚠️Pickup position inferred from genre and tone (bridge humbucker for heavy riff).
  • ⚠️Signal chain order inferred from typical usage and pedalboard layouts.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Thrice's 'The Abolition of Man' features a modern, tight, high-gain tone with clear articulation and minimal ambience, typical of their post-2010s heavy material. Teppei and Dustin favor Mesa/Boogie and Orange amps with moderate bass for tightness, balanced mids, and slightly boosted treble/presence for clarity; the production is dry and punchy, with little to no reverb.

Sources