GuitarDistortedSolo80% confidence
That Smell Solo Guitar Tone Settings — Lynyrd Skynyrd
Lynyrd Skynyrd · 1970s · rock
studio
Original Recording
Guitar
Gibson Les Paul (likely 1959 Standard, as used by Gary Rossington on studio recordings in the 1970s)
Pickups
Gibson PAF humbuckers
Amp
Peavey Mace (1970s model, 160-watt 6x6L6 combo, as used by Gary Rossington in studio and live)
Pickup Position
Bridge pickup
Studio recording, 1977. Gary Rossington stated he used the Peavey Mace for most Skynyrd recordings in the '70s, including 'That Smell.' No evidence of pedals or effects other than amp reverb for the solo section. Settings estimated based on era, amp, and genre. No evidence of live/touring substitutions for this part.
Amp Settings
Mids7
Bass6.5
Gain6
Reverb3.5
Treble7
Presence6
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Tone Character
- singing sustain
- classic Southern rock crunch
- smooth upper-mids
- articulate lead lines
- touch-sensitive response
- rich harmonic overtones
- slightly compressed attack
- warm but cutting
- dynamic pick attack
- not overly saturated
Notes & Caveats
- No explicit numeric amp settings for Peavey Mace found for 'That Smell' solo; settings estimated based on typical 1970s Southern rock studio tones and Rossington's interview statements.
- No evidence of pedals or effects other than amp spring reverb for the solo section; no delay, chorus, flanger, or wah audible or cited.
- Pickup choice inferred from classic Les Paul solo tone and typical Skynyrd lead sound; not directly cited for this solo.
- If future evidence shows use of a Marshall amp or different guitar for this specific solo, settings may need revision.
- Settings cross-referenced with genre and era conventions for accuracy. The solo tone on 'That Smell' is classic late-70s Southern rock: moderate gain for sustain and crunch, strong mids for cut and warmth, and a slightly boosted bass for fullness. Treble and presence are set to keep the tone clear but not harsh, and a touch of spring reverb adds subtle ambience typical of the era and Skynyrd's production style.