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Teratai — Sweet Charity1 / 2
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Teratai Solo Guitar Tone Settings — Sweet Charity

Sweet Charity · 1980s · rock

studio

Original Recording

Guitar
Yamaha SG2000
Pickups
Yamaha SG2000 stock humbuckers
Amp
Marshall JMP (likely 1970s model)
Pickup Position
Neck pickup

Studio recording, 1980s. Gear inferred from era, genre, and known Sweet Charity guitarist (Ramli Sarip) preferences for this period. No direct source confirms the exact gear for the 'Teratai' solo, but Yamaha SG2000 and Marshall JMP are widely cited as his main studio setup in the early 1980s.

Amp Settings

Mids
7
Bass
6.5
Gain
6
Reverb
4
Treble
6.5
Presence
6

Effects Chain

  • Delay pedal (model unknown) · delay

Yamaha SG2000 → Delay pedal (model unknown) → Marshall JMP (spring reverb on)

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Tone Character

  • singing sustain
  • warm and smooth
  • midrange-focused
  • slightly compressed
  • touch-sensitive
  • vocal-like phrasing
  • clear note separation
  • classic rock crunch
  • not overly bright
  • moderate reverb ambience

Notes & Caveats

  • ⚠️No direct source confirms the exact guitar, amp, or pedal models/settings for the 'Teratai' solo. Gear and settings are estimated based on genre, era, and common knowledge of Ramli Sarip's gear in the early 1980s.
  • ⚠️No pedal or effect model is confirmed for this specific recording. Effects are inferred from audio and typical classic rock setups.
  • ⚠️Settings are estimated using typical Marshall JMP settings for classic rock solos in the 1980s.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The solo in 'Teratai' by Sweet Charity features a classic late-70s/early-80s Malaysian rock tone: crunchy but not high-gain, with warm mids and a singing sustain. The amp settings reflect a British-style amp (likely Marshall), with mids pushed for vocal quality, moderate bass for fullness, and moderate reverb for space typical of the era's production.

Sources