GuitarDistortedSolo80% confidence
Telecaster Stripe Solo Guitar Tone Settings — Polkadot Stingray
Polkadot Stingray · 2010s+ · rock
studio
Original Recording
Guitar
Fender American Vintage '72 Telecaster Thinline
Pickups
Fender Wide Range Humbuckers
Amp
Shinos WIN
Pickup Position
Bridge pickup
Studio recording, 2017; Shizuku is seen using the Fender American Vintage '72 Telecaster Thinline and Shinos WIN amp in official music videos and gear rundowns for this era. No evidence of live rig or alternate gear for the solo section.
Amp Settings
Mids6.5
Bass5.5
Gain6
Reverb3.5
Treble7
Presence6
Effects Chain
- Boss BD-2 Blues Driver · overdrive
- Delay pedal (model unknown) · delay
Guitar → Boss BD-2 Blues Driver → Delay pedal (model unknown) → Shinos WIN amp (spring reverb on)
Tone Matcher
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Tone Character
- bright and articulate
- singing sustain
- slightly compressed
- tight note separation
- clear upper mids
- dynamic pick response
- mild overdrive
- present but not harsh treble
- smooth legato runs
- touch-sensitive phrasing
Notes & Caveats
- No direct source lists exact amp knob settings for the solo; values estimated based on typical Shinos WIN amp settings for modern J-rock and Telecaster Thinline with humbuckers.
- No explicit confirmation of pickup selector, but bridge pickup is strongly inferred from the solo's bright, cutting tone.
- No direct pedalboard photo or studio notes for this specific solo; pedal/effect choices are based on audible cues and artist's known gear for this era.
- No evidence of effects loop usage or amp-based delay/chorus/flanger.
- Settings cross-referenced with genre and era conventions for accuracy. The solo tone is crisp, articulate, and cutting with moderate crunch, reflecting Polkadot Stingray's preference for bright, mid-forward Telecaster tones. The bass is slightly reduced for clarity, mids are pushed for presence in the mix, and treble/presence are high for sparkle and attack, with a touch of reverb for subtle ambience.