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Summer Of '69 — Bryan Adams1 / 2
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Summer Of '69 Riff Guitar Tone Settings — Bryan Adams

Bryan Adams · 1980s · rock

studio

Original Recording

Guitar
1960 Fender Stratocaster
Pickups
Fender single-coil (original 1960 Strat pickups)
Amp
Vox AC30 (vintage, likely Top Boost model)
Pickup Position
Bridge pickup (possibly bridge + middle for added chime)

Studio recording, 1984; main riff and distorted rhythm sections tracked with Stratocaster into Vox AC30. Some sources mention a Marshall or Hiwatt blended in, but primary amp for the riff is the AC30. Pete Cornish Treble Booster or Ibanez Tube Screamer possibly used for added drive. Pickup selection likely bridge or bridge+middle for bright, cutting tone.

Amp Settings

Mids
6.5
Bass
6
Gain
6
Reverb
2.5
Treble
7
Presence
6

Effects Chain

  • Pete Cornish Treble Booster (model unknown) · boost
  • Ibanez Tube Screamer (model unknown, possibly TS808 or TS9) · overdrive

Fender Stratocaster → (Pete Cornish Treble Booster or Ibanez Tube Screamer) → Vox AC30 (spring reverb on low)

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Tone Character

  • bright and punchy
  • classic British crunch
  • articulate power chord attack
  • tight, focused midrange
  • slightly compressed
  • harmonically rich
  • cutting upper mids
  • dynamic pick response
  • clear note separation
  • not overly saturated

Notes & Caveats

  • ⚠️No direct numeric amp settings found for the studio recording; settings estimated based on typical Vox AC30 usage for 1980s rock and forum consensus.
  • ⚠️Some sources mention a Marshall or Hiwatt blended in, but the AC30 is most consistently cited for the main riff.
  • ⚠️Treble booster or Tube Screamer is mentioned as possibly used, but not confirmed for this exact song section.
  • ⚠️No explicit pedal settings or pickup selector position confirmed for the riff; bridge pickup inferred from tone and era.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. The 'Summer Of '69' riff has a classic 80s rock crunch with moderate gain, punchy mids, and balanced bass/treble, typical of Bryan Adams' use of Marshall amps and Telecasters/Les Pauls. The tone is present and lively but not overly bright or scooped, with subtle studio reverb for space.

Sources