Stone Free — The Jimi Hendrix Experience1 / 2
Original RigYour Adaptation
GuitarDistortedRiff80% confidence

Stone Free Guitar Tone Settings — The Jimi Hendrix Experience

The Jimi Hendrix Experience · 1960s · rock

studio

Original Recording

Guitar
1965-66 Fender Stratocaster
Pickups
Fender single-coil pickups (stock 1960s Stratocaster)
Amp
Marshall Super Lead 100-watt head with Marshall 4x12 cabinet
Pickup Position
Bridge pickup

Studio recording, 1966-1967. No evidence of alternate guitars or amps for this track. Standard Hendrix studio setup for 'Are You Experienced' era.

Amp Settings

Mids
7
Bass
6
Gain
6
Reverb
0
Treble
7
Presence
6

Effects Chain

  • Dallas-Arbiter Fuzz Face · fuzz

Fender Stratocaster → Dallas-Arbiter Fuzz Face → Marshall Super Lead 100 → Marshall 4x12 cabinet

Tone Matcher

Match This Tone to Your Gear

Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.

Adapt to MY Gear →

7-day free trial · Cancel anytime.

Tone Character

  • biting and crunchy
  • dynamic and percussive
  • bright and articulate highs
  • full-bodied midrange
  • raw, uncompressed sound
  • slightly compressed fuzz edge
  • clear note separation
  • touch-sensitive response
  • aggressive pick attack
  • classic British Marshall stack drive

Notes & Caveats

  • ⚠️No direct studio documentation of exact amp knob settings for 'Stone Free' found; settings estimated based on typical Hendrix Marshall Super Lead usage in 1966-67 and multiple reputable sources.
  • ⚠️No evidence of reverb, delay, chorus, flanger, phaser, or other time/modulation effects used on the riff section; only fuzz/distortion is clearly present.
  • ⚠️No evidence of alternate guitars or amps for this specific recording; all sources point to Stratocaster and Marshall stack.
  • ⚠️Pickup choice inferred from tone and era-typical Hendrix rhythm approach; bridge pickup is most likely for main riff.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Hendrix's 'Stone Free' riff uses a Strat into a Marshall JTM45/100, edge-of-breakup gain with strong mids and moderate treble for clarity, little to no reverb (dry 60s studio sound), and presence set to keep the tone lively without harshness.

Sources