GuitarDistortedSolo
Still Got the Blues (Live 1999) Guitar Tone Settings — Gary Moore
Gary Moore · 1990s · blues
live
Original Recording
Guitar
1959 Gibson Les Paul Standard ('Stripe')
Pickups
Gibson PAF humbuckers
Amp
Marshall JTM45 Reissue (mid-60s, reissue/prototype)
Pickup Position
Neck pickup
Live 1999 performance; guitar is the 'Stripe' 1959 Les Paul, amp is Marshall JTM45 reissue/prototype as used on the original album and live in this era. Distortion from Marshall The Guv'nor pedal, not amp gain. No evidence of Soldano or other amps for this song/era. Chorus effect not used in solo section, only on rhythm parts. Year: 1999, live.
Amp Settings
Mids7.5
Bass7
Gain4.5
Reverb3
Treble6.5
Presence6
Effects Chain
- Marshall The Guv'nor · distortion
Guitar → Marshall The Guv'nor → Marshall JTM45 Reissue (with light spring reverb)
Tone Matcher
Match This Tone to Your Gear
Tell us your guitar and amp — we’ll calculate the exact settings translated to your specific rig.
7-day free trial · Cancel anytime.
Tone Character
- singing sustain
- fat, sustaining melodic lines
- gloriously thick, singing tone
- warm neck pickup tone
- midrange-forward
- touch-sensitive
- smooth, vocal-like lead
- high-gain but not harsh
- rich harmonic content
- minimal ambient effects