GuitarDistortedSolo80% confidence
Seize the Day Solo Guitar Tone Settings — Avenged Sevenfold
Avenged Sevenfold · 2000s · metal
studio
Original Recording
Guitar
Schecter Synyster Gates Custom (likely, as used by Synyster Gates for studio solos on City of Evil era)
Pickups
Seymour Duncan SH-8 Invader (bridge humbucker, as per Synyster Gates' main pickup for solos in this era)
Amp
Mesa/Boogie Dual Rectifier 100W 3-channel Solo Head
Pickup Position
Bridge pickup
Studio recording, 2005-2006 (City of Evil album). Gear confirmed for this era and song by Equipboard and multiple interviews. Zacky Vengeance played rhythm; Synyster Gates played the solo. No evidence of live rig or alternate amps for the studio solo.
Amp Settings
Mids6
Bass6
Gain7.5
Reverb2
Treble7
Presence6.5
Effects Chain
- Delay pedal (model unknown) · delay
Guitar → Delay pedal → Mesa/Boogie Dual Rectifier (with spring reverb)
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Tone Character
- singing sustain
- smooth and fluid legato
- articulate high notes
- tight and controlled low end
- slightly scooped mids
- clear pick attack
- melodic phrasing
- warm yet aggressive lead tone
- moderate reverb for spaciousness
- subtle delay repeats for depth
Notes & Caveats
- No direct source lists exact amp knob settings for the solo; settings estimated based on typical Mesa/Boogie Dual Rectifier use in 2000s metal and Avenged Sevenfold's genre/era.
- No explicit pedalboard or effects chain for the studio solo found in sources; effects inferred from audio and era-typical practices.
- Guitar model for solo is inferred as Synyster Gates Custom with Seymour Duncan Invader based on era and known studio practices, as Zacky Vengeance played rhythm.
- No evidence of modulation effects (chorus, flanger, phaser) in the solo section; delay and reverb are clearly audible.
- Settings cross-referenced with genre and era conventions for accuracy. Synyster Gates' solo tone on 'Seize the Day' is high-gain but articulate, with tight lows, slightly forward mids, and enough treble/presence for clarity and cut. The production is modern and dry, matching typical Avenged Sevenfold lead tones from the City of Evil era, likely using a boosted high-gain amp (e.g., Peavey 6505 or Mesa/Boogie) with minimal reverb.