Second Chance — Shinedown1 / 2
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Second Chance Riff Guitar Tone Settings — Shinedown

Shinedown · 2000s · rock

studio

Original Recording

Guitar
PRS Custom 24 (likely 2000s model, as used by Zach Myers in this era)
Pickups
PRS 85/15 humbuckers (stock on Custom 24, split-coil possible but not confirmed for this track)
Amp
Fuchs Mantis (studio recording era), possibly blended with Diezel Herbert
Pickup Position
Bridge pickup

Studio recording, 2007-2008. Zach Myers' live rig changed over the years, but for the 'Second Chance' studio recording, interviews and rig rundowns indicate use of a PRS Custom 24 into a Fuchs Mantis head, possibly with a Diezel Herbert for layering. Axe-Fx and other digital rigs were adopted later for live use. No evidence of alternate guitars or amps for this specific riff section.

Amp Settings

Mids
6
Bass
6
Gain
7
Reverb
2
Treble
7
Presence
6

Effects Chain

  • Compressor pedal (model unknown) · compression

PRS Custom 24 → Compressor pedal (model unknown) → Fuchs Mantis amp (spring reverb on low setting)

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Tone Character

  • tight and modern
  • articulate pick attack
  • moderate sustain
  • slightly compressed
  • clear note separation
  • balanced EQ (not scooped or boomy)
  • present mids
  • controlled low end
  • crunchy but not high-gain
  • dynamic response

Notes & Caveats

  • ⚠️No direct source lists exact knob settings for the studio recording; amp and EQ values are estimated based on typical Fuchs Mantis/Diezel Herbert settings for modern rock and the audible tone on the track.
  • ⚠️No explicit confirmation of pedal use for the studio riff section; effects inferred from audio and era-typical practices.
  • ⚠️Zach Myers' live rig changed post-2008 to Axe-Fx and other digital rigs; this data is for the studio recording only.
  • ⚠️Pickup split-coil use is possible but not confirmed for this song; bridge humbucker is most likely for the riff.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Shinedown's 'Second Chance' riff features a modern hard rock tone: tight, saturated gain but not extreme, with balanced mids (not scooped), slightly boosted treble and presence for clarity, and minimal reverb for a punchy, up-front sound typical of late-2000s post-grunge/alt-metal production.

Sources