GuitarDistortedRiff60% confidence
Satsuriku No Miseria Riff Guitar Tone Settings — Unlucky Morpheus
Unlucky Morpheus · 2010s+ · metal
studio
Original Recording
Guitar
Unknown (likely modern superstrat or Les Paul-style, as used by Shiren/Jinya in Unlucky Morpheus studio recordings)
Pickups
Unknown humbuckers (likely high-output, as typical for Japanese metal/progressive metal in 2010s+)
Amp
Unknown high-gain amp (likely Marshall, Mesa/Boogie, or Peavey 5150/6505 style, based on genre and era)
Pickup Position
Bridge pickup
No direct source confirms exact guitar, pickup, or amp model for the studio recording of 'Satsuriku No Miseria' riff section. All available sources discuss the song's re-recording and band lineup, but not gear specifics. Settings and gear are estimated based on genre, era, and typical Japanese metal production. Studio recording, 2010s+.
Amp Settings
Mids4.5
Bass5.5
Gain8.5
Reverb1.5
Treble7
Presence6.5
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Tone Character
- tight and percussive
- saturated high-gain
- articulate note separation
- aggressive palm muting
- modern metal clarity
- compressed and focused
- slightly scooped mids
- bright attack
- low-end punch
- minimal ambience
Notes & Caveats
- No direct sources provide specific gear, amp, or pedal information for the studio recording of 'Satsuriku No Miseria' riff section.
- All settings and gear are estimated based on genre (Japanese melodic/progressive metal), era (2010s+), and typical production practices.
- No pedalboard photos, interviews, or rig rundowns for this song/section found in available sources.
- No evidence of modulation or time-based effects in the riff section; only high-gain rhythm tone is audible.
- If future sources provide exact gear or settings, these estimates should be updated.
- Settings cross-referenced with genre and era conventions for accuracy. Unlucky Morpheus's 'Satsuriku No Miseria' features a modern, tight, high-gain metal tone with clear note separation, slightly scooped mids, and a bright, aggressive attack typical of Japanese neoclassical/power metal. The bass is kept tight to avoid muddiness, presence and treble are boosted for clarity and cut, and reverb is minimal for a dry, in-your-face mix.