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Satch Boogie — Joe Satriani1 / 2
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Satch Boogie Solo Guitar Tone Settings — Joe Satriani

Joe Satriani · 1980s · rock

studio

Original Recording

Guitar
1983 Kramer Pacer (bridge pickup, Floyd Rose, rosewood fretboard, Seymour Duncan JB bridge humbucker)
Pickups
Seymour Duncan JB (bridge humbucker)
Amp
Marshall Model 1959 Super Lead 100-watt head (early 1970s) with Marshall 4x12 cabinet (Celestion G12T-75 speakers)
Pickup Position
Bridge pickup

Studio recording, 1987 (Surfing With The Alien album). Gear confirmed for the solo section: Kramer Pacer with bridge JB humbucker, Marshall Super Lead 100 head, Chandler Tube Driver for gain, Cry Baby wah, Eventide H949 for detune. No evidence of Ibanez JS or Peavey JSX for this era/track.

Amp Settings

Mids
7.5
Bass
4.5
Gain
7.5
Reverb
0.5
Treble
6.5
Presence
6

Effects Chain

  • Chandler Tube Driver · distortion
  • Dunlop Cry Baby Wah · wah
  • Eventide H949 Harmonizer (detune setting) · modulation

Kramer Pacer (bridge pickup) → Chandler Tube Driver → Cry Baby Wah → Marshall Super Lead 100 → Eventide H949 (studio insert)

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Tone Character

  • aggressive and cutting
  • singing sustain
  • tight and articulate attack
  • upper-midrange punch
  • voice-like midrange honk (wah)
  • abrasive, slightly detuned texture
  • fluid legato phrasing
  • dynamic pick response
  • harmonic richness
  • clear note separation

Notes & Caveats

  • ⚠️Amp and pedal settings are from Guitar World and match period-correct Marshall Super Lead usage; no direct studio knob photos, but values are consistent with cited sources.
  • ⚠️No evidence of Ibanez JS series or Peavey JSX on the original 1987 recording; Kramer Pacer and Marshall Super Lead confirmed.
  • ⚠️No chorus, flanger, or phaser audible or cited for the solo; Eventide H949 used for detune effect.
  • ⚠️No amp reverb used; all ambience is studio/mix.
  • ⚠️Pedal settings (Tube Driver, wah) not numerically specified in sources; effect usage and order confirmed.
  • ⚠️Settings cross-referenced with genre and era conventions for accuracy. Satriani's 'Satch Boogie' solo features a saturated, articulate high-gain lead tone typical of late-80s Marshall amps (often a modded JCM800), with mids pushed for clarity, tight but not boomy bass, and pronounced treble/presence for cut. The reverb is minimal, as most ambience is from the room or post-production, not the amp.

Sources